• Books
    • Performance, Art, and Politics in the African Diaspora
  • Research
    • Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting
    • Gina Adams on Art and the Archive
    • Rasanblaj, Same-Sex Desire, and the Archive in Haiti
    • On Libraries: Performing Refuge/Restoration
    • Adodi Project Archive| Quaderna 3
    • Liminalities 12:2 On Contemplation
    • Journal of Poverty: Intervention, Instigation, Interruption: Art, Activism and Social Policy
    • Frau Fiber
    • Ghetto Biennale
    • FROM HAITI: Gounda Gounda, The Ghetto Biennale and the Performance of Possibility/ ELSE Journal International Art, Literature, Theory and Creative Media Journal
    • African Diaspora/Performance Research
    • Haitian Women, Sabatoj, and Underground Food Economies
    • Vodou, Penises and Bones
    • The Grand Rue: Roads as Thoroughfares of Life
    • The Adodi
  • Creative Production
    • re.past.malaga
    • Review of Malaga Performance
    • Vertamae Always, Already
    • Menā€™s Love Stories
    • Print, Protest, Power
    • The Grand Rue: Roads as Thoroughfares of Life
    • Patience on a Monument
    • The Moment of (Ecstatic)Truth in the Translatorā€™s Dance
    • Fragmented Histories
    • Ritual/Feast
    • Sacred Gastronomica
  • Teaching
    • Remixing and Remembering: Malaga and the Book
    • Broad/Turns: Print, Protest, Performance
    • Preserving the Vibration: Digitizing the Legacy of Vertamae Smart-Grosvenor
    • Cultural Politics
    • Food, Culture, and Performance
    • Performance, Narrative, and the Body
    • Seeing Lewiston
    • Curatorial Studies and Contemporary Culture
  • Contact Me
  • Biography
  • Books
    • Performance, Art, and Politics in the African Diaspora
  • Creative Production
    • Review of Malaga Performance
    • re.past.malaga
    • Print, Protest, Power
    • The Grand Rue: Roads as Thoroughfares of Life
    • Patience on a Monument
    • The Moment of (Ecstatic)Truth in the Translatorā€™s Dance
    • Fragmented Histories
    • Vertamae Always, Already
    • Menā€™s Love Stories
    • ā€œOur Bodies: Loving Self, Identity & Personal Libertiesā€
    • Festival da Boa Morte
    • Ritual/Feast
    • Sacred Gastronomica
  • Research
    • On Libraries: Performing Refuge/Restoration
    • Liminalities 12:2 On Contemplation
    • Rasanblaj, Same-Sex Desire, and the Archive in Haiti
    • Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting
    • Gina Adams on Art and the Archive
    • Adodi Project Archive| Quaderna 3
    • Journal of Poverty: Intervention, Instigation, Interruption: Art, Activism and Social Policy
    • Frau Fiber
    • Ghetto Biennale
    • FROM HAITI: Gounda Gounda, The Ghetto Biennale and the Performance of Possibility/ ELSE Journal International Art, Literature, Theory and Creative Media Journal
    • African Diaspora/Performance Research
    • Haitian Women, Sabatoj, and Underground Food Economies
    • The Performance of Possibilities
    • Vodou, Penises and Bones
    • The Grand Rue: Roads as Thoroughfares of Life
    • The Adodi
  • Teaching
    • Seeing Lewiston
    • Preserving the Vibration: Digitizing the Legacy of Vertamae Smart-Grosvenor
    • Food, Culture, and Performance
    • Cultural Politics
    • Broad/Turns: Print, Protest, Performance
    • Curatorial Studies and Contemporary Culture
    • Performance, Narrative, and the Body
    • Remixing and Remembering: Malaga and the Book

African Diaspora/Performance Research

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Beasley, M. (2007) Editor On Blackness/Diaspora, Performance Research. 12 (3). The Centre for Performance Research. UK

African Diaspora/Performance Research

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