d Food, Culture, and Performance
  • Books
    • Performance, Art, and Politics in the African Diaspora
  • Research
    • Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting
    • Gina Adams on Art and the Archive
    • Rasanblaj, Same-Sex Desire, and the Archive in Haiti
    • On Libraries: Performing Refuge/Restoration
    • Adodi Project Archive| Quaderna 3
    • Liminalities 12:2 On Contemplation
    • Journal of Poverty: Intervention, Instigation, Interruption: Art, Activism and Social Policy
    • Frau Fiber
    • Ghetto Biennale
    • FROM HAITI: Gounda Gounda, The Ghetto Biennale and the Performance of Possibility/ ELSE Journal International Art, Literature, Theory and Creative Media Journal
    • African Diaspora/Performance Research
    • Haitian Women, Sabatoj, and Underground Food Economies
    • Vodou, Penises and Bones
    • The Grand Rue: Roads as Thoroughfares of Life
    • The Adodi
  • Creative Production
    • re.past.malaga
    • Review of Malaga Performance
    • Vertamae Always, Already
    • Men’s Love Stories
    • Print, Protest, Power
    • The Grand Rue: Roads as Thoroughfares of Life
    • Patience on a Monument
    • The Moment of (Ecstatic)Truth in the Translator’s Dance
    • Fragmented Histories
    • Ritual/Feast
    • Sacred Gastronomica
  • Teaching
    • Remixing and Remembering: Malaga and the Book
    • Broad/Turns: Print, Protest, Performance
    • Preserving the Vibration: Digitizing the Legacy of Vertamae Smart-Grosvenor
    • Cultural Politics
    • Food, Culture, and Performance
    • Performance, Narrative, and the Body
    • Seeing Lewiston
    • Curatorial Studies and Contemporary Culture
  • Contact Me
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  • Biography
  • Books
    • Performance, Art, and Politics in the African Diaspora
  • Creative Production
    • Review of Malaga Performance
    • re.past.malaga
    • Print, Protest, Power
    • The Grand Rue: Roads as Thoroughfares of Life
    • Patience on a Monument
    • The Moment of (Ecstatic)Truth in the Translator’s Dance
    • Fragmented Histories
    • Vertamae Always, Already
    • Men’s Love Stories
    • “Our Bodies: Loving Self, Identity & Personal Liberties”
    • Festival da Boa Morte
    • Ritual/Feast
    • Sacred Gastronomica
  • Research
    • On Libraries: Performing Refuge/Restoration
    • Liminalities 12:2 On Contemplation
    • Rasanblaj, Same-Sex Desire, and the Archive in Haiti
    • Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting
    • Gina Adams on Art and the Archive
    • Adodi Project Archive| Quaderna 3
    • Journal of Poverty: Intervention, Instigation, Interruption: Art, Activism and Social Policy
    • Frau Fiber
    • Ghetto Biennale
    • FROM HAITI: Gounda Gounda, The Ghetto Biennale and the Performance of Possibility/ ELSE Journal International Art, Literature, Theory and Creative Media Journal
    • African Diaspora/Performance Research
    • Haitian Women, Sabatoj, and Underground Food Economies
    • The Performance of Possibilities
    • Vodou, Penises and Bones
    • The Grand Rue: Roads as Thoroughfares of Life
    • The Adodi
  • Teaching
    • Seeing Lewiston
    • Preserving the Vibration: Digitizing the Legacy of Vertamae Smart-Grosvenor
    • Food, Culture, and Performance
    • Cultural Politics
    • Broad/Turns: Print, Protest, Performance
    • Curatorial Studies and Contemporary Culture
    • Performance, Narrative, and the Body
    • Remixing and Remembering: Malaga and the Book

Food, Culture, and Performance

Food, Culture, and Performance
Download a full-size .pdf of the poster
Poster designed by Yoon Soo Lee

This interdisciplinary seminar examines the idea of cultural engagement through food. Students explore the meanings of food and eating across cultures, with particular attention to how people define themselves socially, symbolically, and politically through food consumption practices.

View Performative Meal:

Recent 2014 Course at Nezinscot Farm!

Photographic images of Performative Meal

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